There’s no shortage of movie musicals based on popular plays. Far fewer are based on operas. Max Ophüls’s rarely seen 1932 film “The Bartered Bride,” a seventy-six-minute, giddily inventive adaptation ...
Smetana and the librettist Karel Sabina masterfully mocked all those who expected the "national opera" to be an idyllic picture of the Czech countryside, with its inhabitants being virtuous and ...
So do we exchange jolly peasants for glowering apparatchiks? Hardly – this is as entertaining a version of Smetana’s opera as you could wish, but the celebration of Czech nationalism has extra edge ...
And it has an anti-hero in the person of a youth with a stammer, who gets laughed at and ends up as a circus bear. The fact that the proposed sale is a trick to enable a genuine love match is the sort ...
New York Times subscribers* enjoy full access to TimesMachine—view over 150 years of New York Times journalism, as it originally appeared. *Does not include Games-only or Cooking-only subscribers.
Bedrich Smetana deals with love In his earthy opera "The Bartered Bride." It may not be politically correct — the bride is bought, after all — but everything turns out happily in the end. Here's an ...
“My music is rhythmic because I am Czech… the natural music of the Czechs is rhythm – strong and agile rhythm.” (Martinů). How well the conductor Jac van Steen and the director Paul Curran understood ...
Opera can sometimes sneak up on you. Granted, that’s an odd thing to say about an art form best known for high-decibel emoting. But longtime fans know it’s true. “A lot of the best operas take the ...
For over 150 years, The Bartered Bride has occupied the top position among Czech operas. Said to be now part of the Czech DNA, its popularity eclipses that of any other feted Bedřich Smetana opera.
This company’s chorus is one of its greatest assets, and every syllable tells. First staged in 1998, Daniel Slater’s production of Smetana’s Czech nationalist classic sets the action in the early ...